And yet, against what feels like common sense, the Beatles reconvened just 10 weeks later in January, intending to find some way to top themselves yet again.įor a rock band in 1969, “getting back” was all the vogue. The four-month sessions for the White Album had both tested relationships between the Fabs and emboldened each of them to pursue the possibilities of what might be accomplished alone. In 1967, their beloved longtime manager Brian Epstein died of an overdose, a casualty of Beatlemania’s ceaseless pressure cooker. They had legal issues and Apple-the utopian multimedia company they had recently founded-was quickly devolving into an untenable boondoggle. Their fame was such that even having begged off touring three years previous, they remained far too well-known to walk comfortably down any street. And by 1969, the Beatles were barely functional. ![]() The run between 1963’s Please Please Me and 1968’s The Beatles (known colloquially as the White Album) remains credulity-straining in both its breadth and brilliance. ![]() Since their early-’60s arrival as a mesmerizing foursome of Elvis and Everlys-inspired child savants, the Beatles had continuously and spectacularly leveled up: from chipper and prolific chart dominators in England to beloved Liverpool exports conquering America, to shaggy-haired counter-culture superstars lurking subversively in the pages of teenage glossies, to society-shifting psychedelic pioneers and avant-garde astronauts.
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